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Between the tenor’s spoken outbursts of track snippets, the orchestra does certainly skitter about over broken meters, suggesting discord and darkness rather than gentle. Since conductor Kellen Gray is an African-American , I expected him to have a firm grasp on how this music should go, and he didn’t fail me. Moreover, along with getting the rhythmic feeling and circulate of this music proper, he also has a agency grasp of musical construction, thus he is prepared to pull the varied sections of those works collectively to provide a unified entire. The other pieces vary considerably, alternating quick and slow numbers appropriately, generally capturing a few of the flavor of Wood and at other occasions creating its own vibe. And as quickly as once more, I hesitate to spoil the surprise of much of this music for listeners.

Meyer is clearly a great composer, and it’s a shame that his …